oned Burt Kennedy was to film The Good Guys and The Bad Guys here. Clair Huffaker
- introduced his producer, Jer
ry Adler,
- for Nobody Loves a Drunken Indian and Mark Hanna brought
- his producer for King Gun, Oscar L. Nichols. These three who had hel
- ped me so much in getting the group together all came through ind
ividually. Kennedy shot his film in Chama. Huffaker - 's film headquartered in Albuquerque and was shot in and around nearby pueblos. Hanna's film was made out
- side of Santa Fe. The next day we visited Paramount and Universal Stud
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ios. We met Hoss, Little Joe and the whole Cartwright gang escorted by their prod
